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Artistic Statement

In music, the glitch has been raised to an esteemed position with it's own genre. However, there has been very little activity of this manor in the practice of the visual arts. This current series of paintings and digital works is an attempt to capture the visual manifestations of the glitch in today's pixel perfect computer realizations of our natural and man made environments within the virtual spaces of digital photography, digital film and the video game

Curriculum Vitae >>

Thursday, January 20, 2011

.databent series, 2010-11

Glitch120910/jackchambers, 2010
acrylic on masonite
18"x18"


Undisclosed location (artifact error), 2010/11
acrylic on masonite
18"x18"


Digital Painting #26, 2010
C-Print (edition tba)
22"x22"


Digital Painting #24, 2010
C-Print (edition tba)
22"x22"


Glitch110510/takeotanabe, 2010
acrylic on masonite
16"x16"

Glitch111210/takeotanabe, 2010
acrylic on masonite
16"x16"



These digital photographs are part of a series of glitched digital compositions. Using a combination of audio and wordprocessing applications to digitally corrupt an image file to obtain glitches. This is done a number of times to compile a collection of images with various random glitch effects and then compiled into one image with Pshop.

Infringement version 4/10, 2011
C-print (edition of 5)
8"x10"

AE5: teh_sky_u_gave_me_v2, 2011
C-print (edition of 5)
11" x 8 1/4"

Tuesday, August 26, 2008

Thursday, August 14, 2008

Wednesday, August 13, 2008

Unspeakable Compromise

'Unspeakable Compromise', 2008
acrylic on masonite
36" x 36"
SOLD

charcoal on paper study for:
'Unspeakable Compromise', 2008
5" x 6"

SOLD

Time Travel is Lonely

'Time Travel is Lonely', 2008
acrylic on masonite
24" x 24"

Wednesday, February 27, 2008

Numbers Stations


video


Numbers Stations are shortwave radio stations of uncertain origin. They generally broadcast voices reading streams of numbers, words, letters (sometimes using a radio alphabet), tunes or morse code. - Wikipedia

This is a collaborative piece with Ben Walker as part of the Contextual Villains Collaborative.

http://www.thecontextualvillains.org

The audio track is compiled from two samples of number station broadcasts. One layer is of a woman sounding out numbers at random in Polish, another of a man speaking Russian. I used a segment of Steve Reich's 'Sextet (Part III) with Members of Nexus' and finally an abstract sound
scape I made using Reason v4.

Friday, March 16, 2007

Digital Compositions


"Digital Composition V", 2007
UltraChrome K3 ink
22" sq
"Digital Composition III", 2007
UltraChrome K3 ink
20" x 22"
"Digital Composition II", 2007
UltraChrome K3 RC ink
18" x 22"

"Digital Composition I", 2007
UltraChrome K3 RC ink (edition of 3)
22" sq
sold 1/3

Tuesday, January 30, 2007

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Past Works

Past Works
"Horizontal Arrangement", 2007
acrylic on masonite
14" x 24"

"Unintentional Consequinces", 2006
acrylic on masonite
12" x 24"

"Absence in as Much", 2006
oil and acrylic on panel
24"sq
SOLD

"Passage", 2006
acrylic on masonite
32" x 15"
SOLD

"Monument", 2006
acrylic on panel
32"sq

"Semaphore I",2006
oil on panel
24"sq

"Intercessio I", 2006
oil and acrylic on panel
24"sq
SOLD

"Palingenesia, Scenic III", 2006
acrylic and oil on panel
15" x 36"

"Palingenesia, Scenic II", 2006
oil and acrylic on panel
18" x 24"

College Abstractions, W.K.P. Kennedy Gallery, 2006

College Abstractions, W.K.P. Kennedy Gallery, 2006
Installation view left to right
"Burgiem II", "untitled study", "Blavatsky III", and "Landscape IV"

"Blavatsky III', 1996
acrylic and chalk on canvas
6' x 5'

"Burghiem I", 1996
acrylic and chalk on canvas
6' x 5'

"Burghiem II", 1996
acrylic and chalk on canvas
5' x 6'